Diane Garcès de Marcilla
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Painter · Toulouse

Painting
the light

Three series, one subject. The light that glides across the façades, the light that turns over in the water of the canals, the light that settles on a nape, a shoulder, a gesture.

Diane Garcès de Marcilla, The studio, Toulouse
The studio, Toulouse

Theme

Figures

The tender gesture. A nape, two open hands, an embrace. The figures emerge from a ground of light and matter, on the threshold of apparition. Finalist of the Figurativas 2025 competition at the MEAM in Barcelona, mention at the Salon des Artistes Français 2024.

12 works · acrylic on canvas

Songe, acrylic on canvas, 100×65 cm
Songe100×65 cm · Acrylic on canvas
Jeu de lumière, acrylic on canvas, 80×59 cm
Jeu de lumière80×59 cm · Acrylic on canvas · Private collection
Libération, acrylic on canvas, 146×89 cm
Libération146×89 cm · Acrylic on canvas
Rêverie, acrylic on canvas, 92×65 cm
Rêverie92×65 cm · Acrylic on canvas
De l'or dans les mains (2), acrylic on canvas, 110×110 cm
De l'or dans les mains (2)110×110 cm · Acrylic on canvas · Private collection

What the hands hold back, what the skin lets through : light, again, become almost a character.

Geste tendre series
De l'or dans les mains (1), acrylic on canvas, 110×110 cm
De l'or dans les mains (1)110×110 cm · Acrylic on canvas
Apaisement, acrylic on canvas, 100×81 cm
Apaisement100×81 cm · Acrylic on canvas
Message, acrylic on canvas, 80×80 cm
Message80×80 cm · Acrylic on canvas
Nymphe, acrylic on canvas, 92×60 cm
Nymphe92×60 cm · Acrylic on canvas
Souhait, acrylic on canvas, 92×60 cm
Souhait92×60 cm · Acrylic on canvas
Solidarité, acrylic on canvas, 145×97 cm
Solidarité145×97 cm · Acrylic on canvas
Fou rire, acrylic on canvas, 60×60 cm
Fou rire60×60 cm · Acrylic on canvas

Theme

Landscapes

Water as a mirror. Canals, bridges, tawny lakes: the landscape is read upside down, in its reflection. Trees become clouds, the horizon a line of vapour. The formats stretch out, panoramic, to let the road run on.

12 works · acrylic on canvas

Partir 1, acrylic on canvas, 20×80 cm
Partir 120×80 cm · Acrylic on canvas
Partir 2, acrylic on canvas, 20×80 cm
Partir 220×80 cm · Acrylic on canvas
Le lac fauve, acrylic on canvas, 100×37 cm
Le lac fauve100×37 cm · Acrylic on canvas
Bleu, acrylic on canvas, 100×100 cm
Bleu100×100 cm · Acrylic on canvas
Au fil de l'eau, acrylic on canvas, 100×50 cm
Au fil de l'eau100×50 cm · Acrylic on canvas

The reflection is not a copy. It is the landscape hesitating, trembling, consenting to come undone in colour.

Water reflections
Reflet d'eau 1, acrylic on canvas, 92×60 cm
Reflet d'eau 192×60 cm · Acrylic on canvas
Parfum de vigne, acrylic on canvas, 40×40 cm
Parfum de vigne40×40 cm · Acrylic on canvas
Vignoble, acrylic on canvas, 40×40 cm
Vignoble40×40 cm · Acrylic on canvas
Pont, acrylic on canvas, 100×100 cm
Pont100×100 cm · Acrylic on canvas
Arbres au crépuscule, acrylic on canvas, 20×60 cm
Arbres au crépuscule20×60 cm · Acrylic on canvas
Collines, acrylic on canvas, 20×80 cm
Collines20×80 cm · Acrylic on canvas
Paisible, acrylic on canvas, 92×73 cm
Paisible92×73 cm · Acrylic on canvas

Theme

Architectures

Walls that breathe. Rome, Fira, Toulouse : the city is never a backdrop. Façades dissolve in the brightness, staircases break apart, passageways open. What remains is matter and a light that passes through everything.

12 works · acrylic on canvas

Parc, acrylic on canvas, 100×37 cm
Parc100×37 cm · Acrylic on canvas
Silence habité, acrylic on canvas, 30×30 cm
Silence habité30×30 cm · Acrylic on canvas · Private collection
Passage de clarté, acrylic on canvas, 30×30 cm
Passage de clarté30×30 cm · Acrylic on canvas · Private collection
Toulouse, acrylic on canvas, 92×73 cm
Toulouse92×73 cm · Acrylic on canvas · Private collection

Abri de lumière, Silence habité, Passage de clarté: the titles say the same thing as the canvas. You do not enter it, you dwell in it.

Abri de lumière, acrylic on canvas, 30×30 cm
Abri de lumière30×30 cm · Acrylic on canvas
Mirador, acrylic on canvas, 30×30 cm
Mirador30×30 cm · Acrylic on canvas
L'ordre du raffinement, acrylic on canvas, 40×33 cm
L'ordre du raffinement40×33 cm · Acrylic on canvas · Private collection
Rome, acrylic on canvas, 73×100 cm
Rome73×100 cm · Acrylic on canvas
Nocturne Italien, acrylic on canvas, 40×40 cm
Nocturne Italien40×40 cm · Acrylic on canvas · Private collection
Le coin des arbres, acrylic on canvas, 30×30 cm
Le coin des arbres30×30 cm · Acrylic on canvas · Private collection
Les heures tardives, acrylic on canvas, 30×30 cm
Les heures tardives30×30 cm · Acrylic on canvas · Private collection
Eclat en refuge, acrylic on canvas, 30×30 cm
Eclat en refuge30×30 cm · Acrylic on canvas

About

  • Born in Havana, Cuba 1965
  • Trained in New York City.
  • Lives in France and has an art studio in the Lauragais.
  • Organizes training courses, teaches drawing and painting.
  • Member of a jury for various art exhibitions.
  • Member of the Salon des Artistes Français Paris,
  • Member of the Taylor foundation,
  • Member of the Salon d'Automne de Paris.
  • Exhibits in galleries in France, Europe and abroad.
Certification I-CACI-CAC rated artistInstitut de Cotation de l'Art Contemporain — see the rating

Painting is where memory, time, and light converge. My practice has evolved through a personal visual language based on the dialogue between acrylic glazes and clear water. By layering multiple translucent veils of color and then selectively revealing them with water, I allow the image to emerge gradually rather than appear all at once—like a memory slowly resurfacing.

My work explores the enduring traces left by people, landscapes, and lived experience. Water is its central metaphor: it separates, transforms, erases, and renews. It also carries a deeply personal resonance, rooted in my exile from Cuba in 1969, a memory that quietly permeates my work. Rather than telling an autobiographical story, I seek to give a visual form to what remains when places, faces, and time itself have been altered.

What drives my practice is the desire to restore time to its rightful place. In contrast to the culture of immediacy that defines our contemporary world, I embrace a slow process in which each layer of paint must be applied, allowed to dry, observed, and only then followed by the next. This extended temporality is not simply a working method; it is an artistic position. It echoes the approach of the Old Masters, for whom painting was a patient construction in which light emerged from successive layers rather than from immediate effect. I feel deeply connected to this tradition. Leonardo da Vinci, Titian, the Flemish Masters, Velázquez, Monet, and Magritte are not references I seek to emulate, but enduring presences that accompany my own inquiry: how can painting make visible what lies beyond appearances while remaining rooted in the figurative world?

My paintings invite contemplation. Light seems to rise from within the depth of the canvas, filtering through translucent glazes until a presence gradually reveals itself. Within this suspended space, the viewer is invited to slow down, to dwell in the act of looking, and to experience what continues to resonate beyond the image itself: memory, absence, and the fragile beauty of what endures.

Write, visit, collect

garces-de-marcilla.diane@orange.fr
06 52 76 40 76